During a studio visit, Labeeb Abdullah took one of those "this is everything" photographs. It's got the studio, the work, the friends, the history, the marriage, the kids, the projects and collaborators. At least that's what I see.
peony painting in progress
New work from the night studio:
rose peony, 4' x 4', water-based media on panel, wip
not pipes
These are paintings on Tyvek folded into the shape of pipes. I'm not sure how many layers of art history joking this is; a lot.
cold snap
river painting
I'm looking forward to seeing the installation photos of this large scale painting. It was made to provide a "window" in a dining and also to remind the owners of this time and place in their lives. We also considered that the work might one day be split in two to accommodate a smaller space. I actually like the idea that a painting could be split, like shares, and still hold up visually, continue to be a part as solid as the whole and provide the service of celebrating, documenting and/or interpreting time and place.
vernon river marsh, water-based media on panel, 4' x 8', 2014
vernonburg studio
A failed painting used to protect the floor:
abstract landscapes
back in the studio!
new year's eve 2014
The arbor just before 2015 the night of our annual oyster roast.
goodbye, 2014
what a wild ride this one! so much work, so much fun; full canter the entire time.
sandoz + nordeman at hagedorn
Brenda Massie of Hagedorn Foundation Gallery curates what will be one of the most colorful - literally, and we hope, figuratively - exhibitions this year. Landon Nordeman's photography populates the first floor and my paintings the second from January 29th until March 21st, 2015.
Please mark the January 29th reception date; come with and wearing your brightest.
Nordeman + sandoz images complied for HFG by Brenda Massie
large scale landscape
Nothing like a china closet backed in mirror!
vernon river marsh, 4' x 8', 2014
vernon river at rendant, 7 a.m., december 19, 2014
beautiful savannah
on loving france
I can't guess how this place couldn't get under one's skin. This is a little illo I made on the subject for an illustrated memoir.
falling in love with france, water-based media on somerset, 2014
painting: peony
A new 4' x 4' in progress in the studio.. Also in the studio, the painting's inspiration and a favorite flower: peonies.
water-based media on panel
beach boys
On a windy day in December:
seven years
I've posted 2,055 times over these seven years starting on November 1st, 2006. That's crazy - like life. It's been a full gallop of ups and downs - haha (haha as George Saunders would write). Thank goodness for the full entertainment and engagement of looking at world, thinking about it and, of course, making stuff. I'm so content to work and live on this little farm for another seven. No seventh inning stretch. No itch.
The
writer(artist) should never be ashamed of staring. There is nothing that does not require his attention. - Flannery O'Connor
Much gratitude to those that inspire, teach, lead, challenge and spur me on a daily basis (with some of you working it on a minute to minute basis).
oh, happy day!
1. splurged on some flowers! if i lived in a cooler climate, i'd become a crazy peony lady

2. fixed my shoes; broken since 2009

3. husband, doin' favorite activity, caught a biggun

4. rocks delivered via D. LOVE

christmas goose
is a duck!

marcus kenney "cold duck" 10" x 10" mixed media 2008
mayday-mayday-mayday
This day really "celebrated" labor in almost every way.
Send backup.

(untitled, 2007, mixed media.)
Went to see Clare Rojas exhibition and performance (same durn girl, different name) last night; part of SCADstyle week.
window shopping
Lotta people are talking good-riddance-to-2009; I kinda liked it. I like "niner" years.

